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Hugues Dufourt ~ Apollon et les continents ~ Witten, 23rd April, 2016

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From this year's Wittener Tage für neue Kammermusik, this is one of the more impressive pieces, inspired by the enormous fresco of 'Apollo and the Continents' in Würzburg by Giovanni Battista Tiepolo.

The first two pieces - Africa and Asia - show Dufourt's spectral background, and could be described as music for large spaces, or installations. The last two - Europe and America - are much more energetic and remind me at times of the large group pieces by Braxton - hence the post here. The recording from WDR3 is fine, although the announcer did decide to talk over the first few seconds of 'America'.

Jazz na Fábrica - Anthony Braxton Quartet & Roscoe Mitchell

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I was in Brazil for a few weeks recently, and came across these two live recordings of the Anthony Braxton Quartet (from 2014) and Roscoe Mitchell solo (from 2013), from the Ao Vivo Jazz na Fabrica  festival in Sao Paulo.

They're both excellent, and show both musicians at the top of their game, so I can strongly recommend buying these. No rips here, obviously, but there are some samples on the SESC web page, here.

Art Ensemble of Chicago live at the North Sea Jazz Festival 1990

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Here's one I keep coming back to regularly. Beautifully recorded by Dutch radio, this is an excerpt of their performance at the NSJF in Scheweningen in 1990. I went to see them in 1987 and I recall they were playing up on the roof of the main concert building in Scheweningen which is just outside The Hague. I'm not sure whether this is the first set or whether it is a cut and paste of their full performance. There is a longer audience tape of the full one, but of lower audio quality. So I'm sticking with this one instead, even if shorter.

We get to hear first the serene "Prayer for Jimbo Kwesi" which was out on "The Third Decade" album. Then follows an improvisational passage, featuring Roscoe Mitchell among other exciting happenings, and after that it segues into the stately "Song for Atala" which was on their "Dreaming of the Masters", showing that the AEC can play 'em as straight as anybody. The info file that came with this set lists more than what you actually get to hear here.

The line-up is the usual quintet which you can see above. So what else to say but enjoy the company of the masters! Just possibly my fave ensemble of all and anytime!

Darmstadt 28.11.15 Fred Frith – TA TA TA mp2

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Im Rahmen von "cresc… – Biennale für Moderne Musik Frankfurt Rhein Main" inszeniert Fred Frith diese besondere Begegnung seines Ensembles mit ausgewählten Musikern der hr-Bigband.

Fred Frith, Gitarre, Electronics
Lotte Anker, Alt- und Tenorsaxofon
Susana Santos Silva, Trompete
Okkyung Lee, Cello
Christine Wodraszka, Piano
Heike Liss, Visual Arts
Oliver Leicht, Electric Clarinet
Steffen Weber, Tenor- und Sopransaxofon
Christian Jaksjö, Posaune
Martin Scales, Gitarre
Thomas Heidepriem, Bass
Jean Paul Höchstädter, Schlagzeug

BROTZMANN, TiPPETT, MiLLER, KELLERS - München 1983

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This wonderful document of unrecorded (as far as I know) quartet was shared on DIME by Owombat back in 2009, and later probably here in Contributions section, or maybe somewhere else. I did kind of remastering and spliced together original three parts of each set, as they were continuous performancces. It took four stages of equalization to make sound somehow balanced, although saxophone is still loudest instrument. Enjoy.

BROTZMANN, TiPPETT, MiLLER, KELLERS - Unterfahrt München, 1983-07-05

Set I  (41:12)
Set II  (32:35) 
Set III  (28:55)

Total concert 102:38

Peter Brötzmann - clarinet, tenor & baritone sax
Keith Tippett - piano & piano interior
Harry Miller - bass
Willi Kellers - drums & vibes

Audience recording

Myra Melford "Snowy Egret" 23 marzo 2016 Locandina IL CARTELLONE JAZZ & WINE OF PEACE mp2

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Myra Melford "Snowy Egret"
pianoforte, melodica Myra Melford
tromba Ron Miles
chitarra Liberty Ellman
basso acustico Stomu Takeishi
batteria Ted Poor

Registrato alla Cantina Renato Keber, Cormòns, il 25 ottobre 2015

Heavenly Sweetness Festival Florian Pellissier Quintet (Jazz) + Cotonete + Special Guest JAZZLIVE mardi 5 avril 2016 mp2

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Florian Pellissier en direct du New Morning
Un pied dans le New York du début des 60’s, l’autre résolument ancré
dans la scène jazz parisienne actuelle…Voilà pour l’esprit qui anime le Florian Pellissier Quintet, un groupe actif depuis 11 ans et qui présentera ce soir son troisième album, "Cap de Bonne Esperance" au New Morning...Un concert à suivre en simultané dans Jazzlive

05/04/2016
Pianiste hyper-actif qu'on retrouve avec des projets aussi variés que Setanta, Guts, Camarao ou Leron Thomas, Florian Pellissier revient avec le projet qui lui tient à cœur, son quintet de jazz.
Après le succès critique de son deuxième album « Biches bleues», Florian Pellissier a décidé d'enchainer rapidement avec un nouvel opus. L'équipe de haut vol n'a pas changé, mais le style s'est affirmé, et ce « cap de Bonne esperance » devrait un peu plus imposer Florian Pellissier sur la scène jazz française.
== Line up ==
Florian Pellissier (Piano), Yoni Zelnik (Contrebasse), David Georgelet (Batterie), Christophe Panzani (Saxophone), Yoann Loustalot (Trompette) 

Michel Portal & Hamid Drake "Michel Portal Acoustic Tour" Ville de Savigné L' Evêque France 2012-April-05

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Source:
Culturebox Live Webcast > Php/AdobeHDS > HDD > Flash Video


Format Flash Video
Overall bit rate: 2 249 Kbps

Video
Format: AVC
Format profile: Main@L3.1
Bit rate: 2 127 Kbps
Width: 1152 pixels
Height: 648 pixels
Display aspect ratio: 16:9
Frame rate: 25.000 FPS
Scan type: Progressive

Audio
Format: AAC
Bit rate: 192 Kbps
Channel(s): 2
Sampling rate: 48.0 KHz

Linup:
Michel Portal: sax, clarinet, bandoneon
Hamid Drake: drums, percussion

Setlist:
Improvisations (Michel Portal, Hamid Drake)
La Javanaise (Serge Gainsbourg)

Running Time: 0:53:54

TAMIA "SENZA TEMPO" (T Records, 1981)

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Tamia, voice / vocals


1. Madrugada              4:49
2. Appels              2:33
3. Out Of Air             10:51
4. Lamento              1:16
5. Stray Wind              8:13
6. Dance              5:03
7. Chant Pour Une Étoile 3:05


This album has been recorded in october 1981 in Paris at the Studio Acousti by Alain Cluzeau.

The first version of "senza tempo" has been created in concert for the 1979 Autumn Festival in Paris.
This record has been realised exclusively with successive recordings of Tamia's voice on a 16-track tape recorder.
The voice has not been submitted to any technical effect.

T RECORDS T1002 CD

THEO LOEVENDIE CONSORT "ANTIBES, 1969"

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Here's a short recording by Theo Loevendie's Consort from Antibes previously offered in some comments or in the contributions section.

It was recorded the same year as the Blue Notes (in Antibes) after they left South Africa.
From both groups there was a french TV footage but apparently it has been deleted from youtube.
 Which may not have a whole lot to do with this recording but it seemed like a good place to start....



Theo Loevendie, alto saxophone, piano
Hans Dulfer, tenor saxophone
Joop Mastenbroek, baritone saxophone
Willem Van Manen, trombone
Nedly Elstak, trumpet, piano
Maarten Altena, bass
Johnny Engels, drums
Martin van Duynhoven, drums


1. Mr. Brook, part one  01:44
2. Mr. Brook, part two  07:00
3. Pepy                 05:38
4. Mandela!             08:11


Recorded on July 27, 1969, Antibes, Juan-les-Pins, 10th International Jazzfestival.

JOHANNES BAUER _ R.I.P.

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Johannes Bauer * July 22, 1954 - † May 6, 2016

LONDON JAZZ COMPOSERS ORCHESTRA - Double Trouble, London 1991

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Henry Lowther - trumpet
Jon Corbett - trumpet
Marc Charig - trumpet
Alan Tomlinson - trombone
Conrad Bauer - trombone
Radu Malfatti - trombone
Steve Wick - tuba
Trevor Watts - reeds
Evan Parker - reeds
Pete McPhail - reeds
Simon Picard - reeds
Paul Dunmall - reeds
Phil Wachsmann - violin
Howard Riley - piano
Barre Phillips - bass
Barry Guy - bass
Paul Lytton - drums

1. Double Trouble (Guy)  55:04

21st March , 1991.  Shaw Theatre, London, UK.

LONDON JAZZ COMPOSERS ORCHESTRA - Harmos, London 1991

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Henry Lowther - trumpet
Jon Corbett - trumpet
Marc Charig - trumpet
Alan Tomlinson - trombone
Conrad Bauer - trombone
Radu Malfatti - trombone
Steve Wick - tuba
Trevor Watts - reeds
Evan Parker - reeds
Pete McPhail - reeds
Simon Picard - reeds
Paul Dunmall - reeds
Phil Wachsmann - violin
Howard Riley - piano
Barre Phillips - bass
Barry Guy - bass, composer
Paul Lytton - drums

1. Harmos  (Guy)  46:45

Recorded 22nd March, 1991 at Shaw Theatre, London, UK.

SPONTANEOUS MUSIC ENSEMBLE "THE SOURCE - FROM AND TOWARDS" (TANGENT, 1970)

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Kenny Wheeler, trumpet
Bob Norden, trombone
Chris Pyne, trombone
Ray Warleigh, alto saxophone
Trevor Watts, alto & soprano saxophone
Brian Smith, tenor & soprano saxophone
Mike Pyne, piano
Marcio Mattos, bass (right channel)
Ron Mathewson, bass (left channel)
John Stevens, drums

Side A (24:44)

A1.     Part One: Expectancy    
A2.     Part Two: Birth    
A3.     Part Three: Thanksgiving    
A4.     Part Four: Time Goes On (Version A)

Side B (25:34)

B1.     Part Four: Time Goes On (Version B)    
B2.     Part Four: Time Goes On (Version C)    
B3.     Part Five: You Know

Recorded on 18th November 1970

TANGENT TNGS 107 (vinyl rip)

Horațiu Rădulescu ~~ String quartet no. 4 ~~ Asasello Quartet; Cologne, 3rd May 2016

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Rădulescu's fourth quartet is one of the more radical spectral pieces; it's for nine string quartets, one of which plays live, with the remaining quartets played back from recordings from different locations in the hall. The idea is to explore the harmonic spectrum, and to allow the audience to experience new spectra as the sounds criss-cross, interact and interfere.

The extent to which this is achieved is debatable, but a performance is undoubtedly an enthralling experience. A recording can only hint at this, but here is a recording from Colognes' Acht Brücken festival by the Asasello Quartet, from earlier this month.

Horațiu Rădulescu:

infinite to be cannot be infinite, infinite anti-be could be infinite (infinit a fi nu poate fi infinit) op. 33 (1976; rev. 1987) - fourth string quartet for nine string quartets

Asasello Quartet
Trinitatiskirche, Cologne; 3rd May 2016

LONDON JAZZ COMPOSERS ORCHESTRA - Theoria, London 1991

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Irene Schweizer - piano
Henry Lowther - trumpet
Jon Corbett - trumpet
Marc Charig - trumpet
Alan Tomlinson - trombone
Conrad Bauer - trombone
Radu Malfatti - trombone
Steve Wick - tuba
Trevor Watts - reeds
Evan Parker - reeds
Pete McPhail - reeds
Simon Picard - reeds
Paul Dunmall - reeds
Phil Wachsmann - violin
Barre Phillips - bass
Barry Guy - bass, composer
Paul Lytton - drums

1. Theoria  (Guy)  55:00

Written for Irene Schweizer's birthday

Recorded 22nd March, 1991.   Shaw Theatre, London, UK.

SAALFELDEN JAZZ FESTIVAL FIRE! ORCHESTRA Registrato al Congress Centre, Saalfelden, il 30.08.2015 mp2

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 Mats Gustafsson sax tenore
Johan Berthling basso elettrico
Mariam Wallentin voce
Sofia Wernberg voce
Anna Högberg sax alto
Mette Rasmussen sax alto
Lotte Anker sax alto e tenore
Jonas Kullhammar sax basso
Goran Kajfes cornetta
Niklas Barnö tromba
Mats Äleklint trombone
Per-Ake Holmlander tuba
Andreas Berthling elettronica
Finn Loxbo chitarra
Julien Desprez chitarra
Martin Hederos tastiere
Mads Forsby batteria
Andreas Werliin batteria

Robert Landfermann Quartet ~ Münster, 29th January 2016

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01 - Black is the colour / Iktsuarpok / Katarrh
02 - radio / commentary
03 - Chrach
04 - radio / commentary
05 - Night will fall (parts 1 and 3)


Robert Landfermann Quartet
Chris Speed – ts, cl
Achim Kaufmann – p
Robert Landfermann – b
Jim Black – dr


Theater, Münster, Germany; 29th January 2016

John Zorn & Pierre Boulez ~ String Quartets ~ Jack Quartet ~ Cernier; 24th August 2015

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I wasn't familiar with John Zorn's string quartets before listening to this recording, but on the strength of this, I'll be looking for more. The Remedy of Fortune is the strongest piece, and contains multiple quotes from other quartets I know and play, including the Beethoven's Grosse Fuge.

This concert also includes performances of both the early and late versions of Boulez's Livre pour Quatuor; beautiful serial works that condense an entire narrative into small gestures.

John Zorn: The Alchemist
Pierre Boulez: Livre pour quatuor (1948/49)
Pierre Boulez: Livre pour quatuor (2011/12)
John Zorn: The Remedy of Fortune

Jack Quartet
Christopher Otto, violin
Ari Streisfeld, violin
John Pickford Richards, viola
Kevin McFarland, cello

Cernier, Switzerland; 24th August 2015

ORNETTE COLEMAN "MAN ON THE MOON / GROWING UP" (STATESIDE / IMPULSE, 1969)

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Ornette Coleman, alto saxophone
Dewey Redman, tenor saxophone
Don Chetty, trumpet
Charlie Haden, bass
Ed Blackwell, drums
Emmanuel Ghent, electronic devices (A)

A. Man On The Moon (Dr. Emanuel Ghent & O. Coleman) 3:06
B. Growing Up  (O. Coleman) 2:17


Recorded in NYC, July, 1969.

Stateside – 2C 006-90.643 M (France)

(vinyl rip)

For further reading:
http://www.pointofdeparture.org/PoD53/PoD53Ornette.html
http://valghent.com/emmanuel-ghent-ornette-coleman-man-on-the-moon/

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